Meeting with the artists and discovering more about their work I felt strongly that I didn’t want to impose an interpretative layer onto their sensitive practices through a documentary film.ĭuring extended studio conversations with Paula I found myself placed in a subtle space inside her process. Luce: I realised early on that a documentary film would be an unsatisfactory device to use with the two artists I chose to work with. Can you tell us a little bit about this in relation to the residency you are currently doing in Hangar? We know that the initial idea an artist or a curator has for their research project changes through the development of their residency here, but we rarely get to grasp these changes during the development of the process itself and from the artist or curator perspective. Marta: The first question is about your residency in Hangar. Conversation held on the 22nd of March 2019 at Hangar. “Encura3: two-months fully-funded curatorial residency”]Įdited excerpts from a conversation between Luce Choules, artist in residence for the curatorial research programmeĮncura #3, and Marta Gracia, coordinator of the artistic research area in Hangar. [Section from Luce Choules’ application for participating in the programme The project would invite two selected resident artists and two cultural agents to engage in a critical dialogue about embodied knowledge, ecological economies, roaming landscapes and territory, outcomes of the project would be presented in a documentary filmwork. I propose to develop a collective fieldwork research programme for Hangar that explores remote outposts, peripatetic practice and the fluidity of site-responsive working. Please resume your proposal in two sentences:
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